Entries
Field notes, processes, documents and spotlights from the REVELARTEURS archive.
Quite a Few Euros Later
I loved working with Polaroid film, the original kind, the stuff that felt like it had a pulse.
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Within Reach
From the vast rocks of Joshua Tree to the confines of an armchair, Kat always found her place—and gave me something worth photographing. *Within…
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I can see, but once I was blind…
The photographs depended on St. Merrique’s contribution. A turn, a reach, a shift in balance could change the entire figure. I watched through the…
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The space between things – I
A table, a chair, a body, and the distances between them. Working with Fredau, a familiar collaborator, I wanted to give solitude a shape—and…
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The space between things — II: A little closer
After the room and its distances, I moved closer to Fredau. The mood followed us into smaller gestures: a turn of the head, a…
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D’épuiser la lumière — Exhausting the Light
Paris. Someone else’s house for the day. You step in, there’s the narrow hallway, the stairs rising out of it, and a single everyday…
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Medienhafen, framing it from memory
That day had one purpose, pinhole photos, nothing else.
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Domburg: One Negative, Several Lives
An invitation, a winter beach and a Holga pinhole camera. How a photograph taken in 2015 ended up as black-and-white, lith and cyanotype prints…
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Dennis with Flowers, Rebecca with Flowers
Mapplethorpe’s Dennis with Flowers stayed with me. Working with Rebecca, I wanted to make a female counterpart. The photograph became my favourite from the…
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A vase, a winter weekend
That vase had been with me for years, the kind of thing you stop noticing because it’s always there. Then I opened the cupboard…
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Coffee klatch, twelve seconds, and a bit of making-it-up-as-we-go
What showed up first, in my head, wasn’t the process at all. It was the little set, a table dressed in cloth, a vase…
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Same negative, different chemistry
Five prints from one negative, each one exposed and treated for the picture it was meant to become
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