Quite a Few Euros Later
I loved working with Polaroid film, the original kind, the stuff that felt like it had a pulse.
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But we are proud to say that supervisor contributed 13 entries already.
I loved working with Polaroid film, the original kind, the stuff that felt like it had a pulse.
From the vast rocks of Joshua Tree to the confines of an armchair, Kat always found her place—and gave me something worth photographing. *Within Reach* is a personal look back at her remarkable understanding of shape and space, and the pleasure of making these images together.
The photographs depended on St. Merrique’s contribution. A turn, a reach, a shift in balance could change the entire figure. I watched through the camera, but she was finding the movements that gave me something to see.
A table, a chair, a body, and the distances between them. Working with Fredau, a familiar collaborator, I wanted to give solitude a shape—and make a photograph that someone else could enter.
After the room and its distances, I moved closer to Fredau. The mood followed us into smaller gestures: a turn of the head, a hand resting on an arm, a face partly hidden by hair. Our familiarity left room for quiet, and for what could remain unsaid.
Paris. Someone else’s house for the day. You step in, there’s the narrow hallway, the stairs rising out of it, and a single everyday bulb doing its best.
That day had one purpose, pinhole photos, nothing else.
An invitation, a winter beach and a Holga pinhole camera. How a photograph taken in 2015 ended up as black-and-white, lith and cyanotype prints – and why the mood counted for more than the detail.
Mapplethorpe’s Dennis with Flowers stayed with me. Working with Rebecca, I wanted to make a female counterpart. The photograph became my favourite from the session, won a submission almost five months later, and belonged to a body of work I kept returning to in the darkroom.
That vase had been with me for years, the kind of thing you stop noticing because it’s always there. Then I opened the cupboard one day and, for no big reason, thought, I’ll mess around with it for a bit.
